- note taking
- new media
- procedural literature
This is an old revision of the document!
When Picasso enters the popular mind by way of McLuhan:
Picasso's painting is always exciting because Picasso paints the path of feeling. I am speaking completely literally. Picasso paints the path of feeling.
Did you ever have a teardrop run down your face? Sometime have a teardrop run down your face and feel it run. Feel it run and then you will understand Picasso. Picasso paints a teardrop running down your face. He paints a tragic running down on the ieee , , , just as you would feel it. Then at the end of the running he paints the teardrop . . . as it feels. He paints the path of the teardrop… He paints a path of feeling . . . He paints the path of every feeling he has at the moment he is feeling. A moment later would ba too late.
It is so simple.
Picasso paints a teardrop when it is running down the face. That is all.
Of course he must paint the when. He paints it when it Is running . . . all the way. He does not paint the teardrop itself until it has stopped running. Then the teardrop hangs suspended from the when like it feels on the face.
It is not only of Picasso that I speak. There are others . . . like Miro like Chagall like Mondrian like Brancusi and Braque and Kandinsky and Klee . . . “