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mcluhan_on_picasso_painting [2017/12/06 16:39]
morgan
mcluhan_on_picasso_painting [2017/12/06 17:09]
morgan
Line 1: Line 1:
-{{ http://mcmorgan.org/blog/wp-content/uploads/2017/12/sign-for-word.png }}width="279" height="77" />+===== Picasso by way of McLuhan ===== 
 + 
 +{{ http://mcmorgan.org/blog/wp-content/uploads/2017/12/sign-for-word.png?400 }}
  
-When Picasso enters the popular mind by way of McLuhan: 
  
 > Picasso's painting is always exciting because Picasso paints the path of feeling. I am speaking completely literally. Picasso paints the path of feeling. > Picasso's painting is always exciting because Picasso paints the path of feeling. I am speaking completely literally. Picasso paints the path of feeling.
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 >Of course he must paint the when. He paints it when it Is running . . . all the way. He does not paint the teardrop itself until it has stopped running. Then the teardrop hangs suspended from the when like it feels on the face. >Of course he must paint the when. He paints it when it Is running . . . all the way. He does not paint the teardrop itself until it has stopped running. Then the teardrop hangs suspended from the when like it feels on the face.
 > >
->It is not only of Picasso that I speak. There are others . . . like Miro like Chagall like Mondrian like Brancusi and Braque and Kandinsky and Klee . . . "</blockquote>+>It is not only of Picasso that I speak. There are others . . . like Miro like Chagall like Mondrian like Brancusi and Braque and Kandinsky and Klee . . . "
 > >
 from verbi-voco-visual from verbi-voco-visual
mcluhan_on_picasso_painting.txt · Last modified: 2018/10/22 15:08 by morgan